Magic in theatres began with conjurers and their tricks on stage. It then moved on to comedians and plays entertaining large live audience. Today, we have motion pictures to define magic. Cinema has become a part of every soul. Movies have the cal
ibre to manifest your imaginations and take you into a different world. A very typical genre of this magical era began with a series of “taken” movies. That is, movies with their story based on books. We have numerous bollywood blockbusters based on famous novels. It has become a fact in Bollywood now. If you can take a cooked up story and serve it in your own style, then you obviously are a smart worker destined for the best in your field. Chandra Prakash Dwivedi established an upper level benchmark with his movie “Pinjar”; an adaptation of Amrita Pritam’s book published in the same name. Eight out of the nine awards for which the movie was nominated went home with it. Starring Urmila Matondkar, Manoj Bajpai and Sanjay Suri in the lead role, the movie has it all….Art, talent, charm and of course the story. Manoj Bajpai was awarded the national award for his role which was widely applauded. On one hand the movie became a must watch for everyone who had read the book. On
the other hand it was an awing experience for those
hearing about it for the first time. Book lovers were found digging out the novel from old collections or buying it for a read. It was able to maintain its individuality and be the vision of the author as well. The movie helped us have a glimpse of nexium 40 mg the book, and the songs helped us read in between the lines .Such movies can make the authors proud of themselves. That’s the beauty of taking up stories. It involves flagyl 500 mg the art of bringing out refreshing stuff from
something that already exists. Another such remarkable creativity was shown by Vishal Bhardwaj in “Omkara”. The movie which bagged in several credits for outstanding performance is based on Shakespeare’s play “Othello”. We had Ajay Devgan playing Othello or Omkara in the movie. A dark theme and strong language could not stop it from being a hit at the box office. It gained profound recognition and appraisal not only in India, but also abroad. While Saif Ali Khan was praised for a negative role, Konkana Sen received the national award for her part. Ajay Devgan was complemented by Kareena Kapoor who gave in her best. With Gulzar’s music raising up the beat, Omkara was able to light up the stage as well as Shakespeare did. This added up to Vishal Bhardwaj’s collection of film renditions of other literary works like Maqbool based on Macbeth and Blue Umbrella based on Ruskin Bond’s book. The idea of taking up an English play…that too of Shakespeare’s time, and converting it into a Hindi movie can come into the minds of only those who have absolute confidence in their creativity. Critics will continue to say that Indian directors are copying stories because of the dearth of new thinking. But the truth lies in the fact that meeting the expectations of an audience which already knows the story is a challenge in itself. The theatre is divided into two types of viewers. One part has those who are not concerned with the relation of the movie to any book. The other part has people who love the book and compare each and every aspect of the movie with it. Satisfying both sets of minds at the same time is not a small deal. An even bigger challenge is getting people to read books they might never have read otherwise. So if you are making a movie out of someone else’s story, it’s not
called copying anymore…it’s actually an art form.